![](/media/images/sally-cornelison.original.jpg)
Congratulations to Professor Sally J. Cornelison on two new publications:
![Title slide for book showing title “Hybridity in Early Modern Art](/media/images/Hybridity_in_Early_Modern_Art_Cornelison.width-800.jpg)
“Recycling, Renaissance Style: Hybridity and Giorgio Vasari’s Pieve Altarpieces.” In Hybridity in Late Medieval and Early Modern Art. Edited by Ashley Elston and Madeline Rislow, 137-51. New York and London: Routledge, 2021.
https://www.routledge.com/Hybridity-in-Early-Modern-Art/Elston-Rislow/p/book/9780367363062
![Title slide for book showing title “Renaissance Religions”](/media/images/Renaissance_Religions_Cornelison.width-800.jpg)
“Art & Religion in Late Renaissance Arezzo: Reconsidering Vasari’s Church Renovations.” In Renaissance Religions: Modes and Meanings in History. Edited by Peter Howard, Nicholas Terpstra, and Riccardo Saccenti, 301-23. Turnhout: Brepols, 2021.
http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503590691-1
Professor Cornelison tells us, “Both are related to my current book project, Vasari at the Pieve: Renovation, Commemoration, & the Sacred Image in Late Renaissance Arezzo. I am working on this book during my research leave in Italy this year, a trip that is supported in part by a Franklin Research Grant from the American Philosophical Society.”